Dante Alighieri

Dante was born in 1265 in Florence. At the age of 9 he met for the first time the eight-year-old Beatrice Portinari, who became in effect his Muse, and remained, after her death in 1290, the central inspiration for his major poems. Between 1285, when he married and began a family, and 1302, when he was exiled from Florence, he was active in the cultural and civic life of Florence, served as a soldier and held several political offices.

Since the early thirteenth century two great factions, the Guelfs and the Ghibellines, had competed for control of Florence. The Guelfs, with whom Dante was allied, were identified with Florentine political autonomy, and with the interests of the Papacy in its long struggle against the centralizing ambitions of the Hohenstaufen emperors, who were supported by the Ghibellines. After Charles of Anjou, with the blessing of the Papacy and strong Guelf support, defeated Hohenstaufen armies at Benevento (1265/6) and Tagliacozzo (1268), the Guelfs became the dominant force in Florence. By the end of the century, the Guelfs were themselves riven by faction, grounded largely in family and economic interests, but determined also by differing degrees of loyalty to the papacy and to Guelf allegiances.

In 1301, when conflict arose between the “Blacks,” the faction most strongly committed to Guelf and papal interests, and the more moderate Whites, Pope Boniface VIII instigated a partisan settlement which allowed the Blacks to exile the White leadership, of whom Dante was one. He never returned to Florence, and played no further role in public life, though he remained passionately interested in Italian politics, and became virtually the prophet of world empire in the years leading up to the coronation of Henry VII of Luxemburg as head of the Holy Roman Empire (1312). The development of Dante’s almost messianic sense of the imperial role is hard to trace, but it was doubtless affected by his bitterness over what he saw as the autocratic and treacherous conduct of Pope Boniface, and a growing conviction that only a strong central authority could bring order to Italy.

During the next twenty years Dante lived in several Italian cities, spending at least two long periods at the court of Can Grande della Scala, lord of Verona. In 1319 he moved from Verona to Ravenna, where he completed the Paradiso, and where he died in 1321.

Dante’s engagement with philosophy cannot be studied apart from his vocation as a writer—as a poet whose theme, from first to last is the significance of his love for Beatrice, but also as an intellectual strongly committed to raising the level of public discourse. After his banishment he addressed himself to Italians generally, and devoted much of his long exile to transmitting the riches of ancient thought and learning, as these informed contemporary scholastic culture, to an increasingly sophisticated lay readership in their own vernacular.

This project was Dante’s contribution to a long-standing Italian cultural tradition. His reading in philosophy began, he tells us, with Cicero and Boethius, whose writings are in large part the record of their dedication to the task of establishing a Latinate intellectual culture in Italy. The Convivio and the De vulgari eloquentia preserve also the somewhat idealized memory of the Neapolitan court of Frederick II of Sicily (1195–1250) and his son Manfred (1232–66), intellectuals in their own right as well as patrons of poets and philosophers, whom Dante viewed as having revived the ancient tradition of the statesman-philosopher [Van Cleve, 299-332; Morpurgo]. Dante himself probably studied under Brunetto Latini (1220–94), whose encyclopedic Livres dou Tresor (1262–66), written while Brunetto was a political exile in France, provided vernacular readers with a compendium of the Liberal Arts and a digest of Aristotelian ethical and political thought [Meier; Imbach (1993), 37–47; Davis (1984), 166–97].

But the fullest medieval embodiment of Dante’s ideal is his own writings. In them we see for the first time a powerful thinker, solidly grounded in Aristotle, patristic theology, and thirteenth-century scholastic debate, bringing these resources directly to bear on educating his countrymen and inspiring them to pursue the happiness that rewards the philosopher.

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2 thoughts on “Dante Alighieri

  1. I am Yahweh. I attest all things in Dante’s Divine Comedy are true, but there is more than 10,000 hells, and alternate and relative universes are expanding exponentially. I like your posts, and page. I shall anoint you, which means I shall allow you to eat halogen salts, to code halo genes. Dante and his masters and sons sit on my right and left hand, in a brotherhood of spirits, called GOD.

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